| Timo Maran, Ester Võsu |
Introduction |
9 |
| Göran Sonesson |
From mimicry to mime by way of mimesis: Reflections on a general theory of iconicity |
18 |
| Guido Ferraro |
Analogical associations in the frame of a “neoclassical” semiotic theory |
67 |
| Floyd Merrell |
Resemblance: From a complementarity point of view? |
91 |
| Ester Võsu |
Metaphorical analogies in approaches of Victor Turner and Erving Goffman: Dramaturgy in social interaction and dramas of social life |
130 |
| Massimo Leone |
Resemblance and camouflage in Graeco-Roman antiquity |
167 |
| Paola Ghione |
Semiotics of mimesis and communicative relationship among texts: Ekphrasis and replication between Hesiod and Homer |
186 |
| Jelena Melnikova-Grigorjeva, Olga Bogdanova |
An owl and a mirror: On Bosch’s visual motif’s meaning |
210 |
| Farouk Seif |
Mutual mimesis of nature and culture: A representational perspective for eco-cultural metamorphosis |
242 |
| Christina Ljungberg |
Dynamic instances of interaction: The performative function of iconicity in literary texts |
270 |
| Felix Ahlner, Jordan Zlatev |
Cross-modal iconicity: A cognitive semiotic approach to sound symbolism |
298 |
| Timo Maran |
Semiotic modeling of mimicry with reference to brood parasitism |
349 |
